Gender Matters in Postcolonial Literature: Theme and Subject

• The Anarchy of Oscar and Lucinda
• Solitude and Enclosure in Oscar and Lucinda
• The Enclosed Space in Swift, Byatt, and Carey
• The Enclosed Space in Possession
• Enclosed Mysticism and Madness in Waterland
• Reactions to the Glass Church
• The Grotesque and Post-Colonialism in Shame
• Women and Family Stories
• Women and the Subject of Rushdie's Shame
• Changing Images of Women in South Asian Fiction
• Kamala Das: Creating a Voice
• Meera Mehadevan's Shulamith
• Male and Female Characters in Desai's In Custody
• Women Gain Their Voices
• The Value of Suffering
• Sakti, Suffering, and Power
• The Glass Factory in Carey's Oscar and Lucinda
• Chinua Achebe Things Fall Apart
• The Role of Women in Things Fall Apart
• Women's Lives in Desai's In Custody
• Speech in July's People
• Keri Hulme: The Depiction of Women
• Kerewin's Asexuality
• Rejecting Women
• The Acceptance of Women
• Polly's Discovery of Sexuality in Gardam's Crusoe's Daughter
• Beth Heke and Female Strength
• History Once-Removed
• Joan Didion and Sara Suleri's "Meatless Days"
• "The Watch" and Magic-Realism