Sara Suleri -- Theme and Subject
Geographical Ontology in
Meatless Days
The Chapter "Meatless Days"
Rushdie and Suleri: Public and Private History in
Meatless Days
Sara Suleri, Salman Rushdie, and Post-Colonialism
Enabling Opposition and Power Relations in
Meatless Days
Suleri and the Resistance to Definition in Postmodern Writing
The Postcolonial Woman as a Terminological Problem
Rape as Metaphor
Women and Postcoloniality Stripped to the Bone in
Meatless Days
: An Introduction
Pakistan's Tumultuous Invention and Grotesque Parables in
Meatless Days
The Intersection of History, Location, Discourse and Womanhood in
Meatless Days
Water and Border-Crossing in Suleri: Deconstructing the Idea of Woman
Displacement in
Shame
and
Meatless Days
Names and Naming
Time May Change Me, But I Can't Change Time: Mutability in Sara Suleri's
Meatless Days
Intimacy and Estrangement in
Meatless Days
"I" Versus "They": The Textual and Communal Self in Sara Suleri's Writings
Chewing Away at Boundaries
"The World is a Monster": Grotesque Wisdom in Dillard, Suleri and Didion
Last modified 18 May 2001