Theme and Subject in A. S. Byatt's Possession

• Romney, Randolph, and Roland: The Three R's of Romance, or, a Deceptively Coherent Title Soon to Fragment Under the Pressure of Postmodernism
• Imperialism -- Cultural and Otherwise -- in A.S. Byatt's Possession
• The Contemporary Legacy of Victorian Progress and Doubt
• The Construction of a Cyclical Time in Possession
• Cropper and the Yew: Liminality and Intertextuality as Functions of the Nonlinear Narrative in A.S. Byattıs Possession
• Angel and Demon: Female Selfhood and the Male Gaze in Byatt and Brontë
• The Living Victorian Past and its Effect on the Present in Possession
• Possession as a Critique of the Victorian Omission of Sexuality
• Critiques of Romantic Inspiration in the Poetic Form in A.S. Byatt's Possession
• Solitude and Secrecy in Possession
• Sex, Secrets, and Foucault: Rewriting Victorian Sexuality in Waterland, Oscar & Lucinda, and Possession: Introduction
• The Postmodern Crisis of Narrative: Byatt, Carey, and Swift
• "An Empty Clean Bed:" Whiteness, Desire and Fear in Possession
• "Follow the Path:" obsessive investigation in Possession
• No Discernible Trace
• Differing Views of Masculinity in Victorian and Modern Texts -- Brontë, Browning, Byatt, Carlyle, and Wolfe

Last Modified: 21 May 2004