Bruce Chatwin's "In Patagonia" — Reading and Discussion Questions
Students in
English 171, Sages and Satirists
, Brown University, 2002, 2003, 2005, 2007
Chatwin in Patagonia: Stumbling Upon Privacy
Cultural Imposition in Tierra del Fuego
The Invisible Traveler: Chatwin's Epic Scope
Chatwin's "Perfect Englishman"
Revelation in a Notebook
Jackass Penguins: The South American Idyll
Butch Cassidy's descent into the last frontier
Chatwin's Swiss Woman
Chatwin's Travel narrative
The Dictionary in Bruce Chatwin's
In Patagonia
The Blend of Past and Present in Bruce Chatwin's
In Patagonia
Did Chatwin Really Go to Patagonia for a Piece of Skin?
Chatwin's Geographic Mastery, in Scare Quotes
The Art of The Parenthetical
The Role of Chatwin in Chatwin's Legends
A Few Words for a Few Birds
Mourning the Loss of Fuegians and Antipodeans
References outside Patagonia
Do you see what I see?
The Mystery of Descriptions in Bruce Chatwin's
In Patagonia
Nazis in Our Midst
The Rest Is Predictable, Chatwin Says
Walking the Line Between Fiction and Non-Fiction: Chatwin's Use of Memory and Embellishment in
In Patagonia
Chatwin's blunt, bizarrely funny, and engaging statements
Characters in Chatwin
The Devices of Historical Fiction in Chatwin's Travel Writing
Chatwin's Love of Stories
Death in Patagonia
Chatwin's qualification of interaction
Seamless Switching
Sane man in a land of "locos"
Bruce Chatwin as Insider/Outsider
Chatwin's Tall Tales in
In Patagonia
Chatwin's Delay
Textual Palimpsests in
In Patagonia
McPhee and Chatwin’s Different Treatment of Indigenous Language
Just a Bit Strange
The Mirage of Patagonia
The Good, The Bad, The Ugly in Patagonia
The Use of Sensory Description in Bruce Chatwin's
In Patagonia
A Pool of Blood on Blue Linoleum: the Solitary Barber in Chatwin's
In Patagonia
Bruce Chatwin Explores Conceptualizations of Time
Related Materials
Characterization in Chatwin, Suleri and Wolfe
Last modified 25 April 2005