Waterland: Literary Relations Overview
Graham Swift
:
Critical Reception
Dickens
Story-Telling in Swift and Dickens
Narrative in
Waterland
and
Great Expectations
Waterland
and
Great Expectations
as Autobiography
The Bildungsroman Genre:
Waterland
and
Great Expectations
Waterland
and
Great Expectations
: Confronting Failed Expectations
Sexuality and Symbolism in
Waterland
and
Great Expectations
Eels in
Waterland
and
Great Expectations
Wordsworth
Swift, Wordsworth, and the French Revolution
A. S. Byatt
Narratives of the Victorian Past: Byatt, Carey, and Swift
The Void in
Waterland
and
Possession
Salman Rushdie
Connections Between
Shame
and
Waterland
Rushdie, Ishiguro, and the Art of Story-Telling
Shame as the Impetus for Stories: Rushdie, Swift & Ishiguro
The Conversational Narrator in
Shame
and
Waterland
Waterland, Shame, and the Conversational Narrator
Magic Realism and Self-Conscious Writing in
Waterland
and
Shame
Connections between
Waterland
and
Shame
Mary in
Waterland
and Omar in
Shame
: History, Humanity, and History
The East Wind and the Loo in
Waterland
and
Shame
Penelope Lively
Penelope Lively's
Moon Tiger
Other
To a Dancing God
and
Waterland
: Storytelling as a Religious Faith
The Construction of Cyclical Time in
Waterland