Channells and Confluences: Contents

Kwok Kian Chow

This document is part of a joint project of the Singapore Art Museum and the Honours Core Curriculum, National University of Singapore. This image and accompanying text appears here with the kind permission of the Singapore Art Museum.

• Introduction
• Amateur Drawing Association and the Low Brothers
• United Artists Malaysia
• Chinese Artists in Singapore Before 1945: The influence of the May Fourth Movement
• The Society of Chinese Artists
• Ink Painting in Singapore
• Nanyang Academy of Fine Arts and the Beginnings of the "Nanyang School"
• Sino-Japanese War
• Richard Walker, Colonial Art Education and visiting European artists before World War II
• World War II
• Singapore Art Society, Society of Malay Artists and the British Council
• The Bali Field Trip, Liu Kang, Chen Chong Swee, Chen Wen Hsi and Cheong Soo Pieng
• Georgette Chen
• The Emergence of an Art Market
• Social Realist Trends: Woodcut Movement, Equator Art Society
• Modern Art Society
• Ink Painting Societies, Singapore Watercolour Society and the Singapore River
• Ten Men Art Group & Field Trips in Southeast Asia
• Teo Eng Seng, Ng Eng Teng, Thomas Yeo, Goh Beng Kwan and Anthony Poon
• Notions of Modern Art in the 1970s
• National Museum Art Gallery, Art Competitions, New Innovations
• Women Artists
• New Modernists, La Salle-SIA College of the Arts
• Tang Da Wu, The Artists Village
• Singapore Art Museum, New Regionalism
• Concluding remarks

Last updated: May 2000